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Probably the Simplest Subject-Type for Writing Tonal and Modal Fugues (Deciphering Guitar and Music Theory) View |
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Subject Usage Through a Complete Fugue – 1 (Deciphering Guitar and Music Theory) View |
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Tonal or Real Answer (Deciphering Guitar and Music Theory) View |
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Music Theory | How a Pro Composer ACTUALLY Uses Counterpoint (Master The Score) View |
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Postlude et fugue modale libre by Charles Tournemire (Rich Spotts) View |
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'How to compose a melody in the Modern style' - Topic 10 from Practice in Music Theory Grade 6 (Josephine Koh - Pianist, Conductor and Music Author) View |
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Cantus Firmus, and The Game of Counterpoint (Fundamentals to Fugue) View |
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Five Easy Preludes and Fugues, Op. 56 No. 3 in G Major: II. Fugue (David Goode - Topic) View |
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